Intarsia in the round face

Pixie Hound

Well I suppose it's not enough to work four legs at a time.  It was a great deal of fun, especially on the 10th when I was sitting in a waiting room at Quest. One of the children sitting nearby said to his mom that I was making a reindeer. Actually the color is perfect for that and the way my circular needles held all the legs together it looked like I might just work all the way up the body that way. I suppose that could be a possibility for a pattern with legs attached like an actual animal like the Pixie hounds and not attached like a doll, like the llama.

http://www.llamalove.com/catalog/escalade08.htm

From here I continued my grand plan for the drama llama llama by attempting to mimic the dramatic color scheme of a few similarly colored llamas.

http://www.oakrestllamas.com/femalesforsale.html

http://www.minnesotaminis.com/lcp/?cat=9

Next I'm focusing on the colors on the face. It's a bit hard to tell, but I plan that the dark brown areas will be under the eyes.  I'm crossing my fingers that it's going to work out okay.  It is intarsia in the round using a technique I learned from the Inside Intarsia with Anne Berk dvd.

Four at a time llama llama legs

French Silk, aka Frenchy.
This first llama was crocheted.

I've managed to pull myself away from omgpop long enough to make some progress on knitting a llama from this crochet pattern.  I started by knitting the first foot and working up the leg, using the cylinder of the leg to measure my knit in the round gauge and comparing that to my crochet gauge.  For comparison I was using the same yarn in a different color and needles and hook with the same mm rating.

Techknitter's disappearing loop cast on was essential as I never had a method for knitting a circle from the inside out before.  That was one of the easy things to do in crochet that I wasn't sure I'd be able to do knitting.  The second obstacle was figuring out how to knit a loop stitch.  Actually, I found a few methods and all of them required me to turn the work when I got to loops rows just like crochet does.  The technique I adopted was to draw a loop over my left index finger and then pull both of the loop strands through the stitch still on my left needle.  (I knit continental.)  Then I move the 2 strand loop from the right needle to the left needle and knit through the back loop the 2 new loops along with the one from the previous row that was still waiting on the left needle.  I saw a method demonstrated on YouTube that uses American/English style, but I really don't want to convert to a method I find clunky and labor intensive.  Not when I can hold the yarn in my left hand as if I was crocheting and have my left hand take up some of the work by pivoting back and forth.  Seems there are a few variations which instruct one to alternate loop stitches rather than loop rows. I'm finding that loop and regular knit rows alternated seems to produce a greater row height than plain knit rows alone.  Since I have many rows to alternate I'm just going to keep going and when I've knit more than an inch high I'll measure it and decide how to adjust the number of rows to knit.

I've completed one row with all four legs together, after knitting three legs at a time up to that point to catch them up to the first leg I started.  I also took apart the first leg and added a few rows to it.  I'd knit a single row of Miski Snowflake and left a really long tail of rust in the first leg specifically to give me the easiest method for adjusting the first leg if I needed to later.  Using the row of snowflake as if it was waste yarn in the method Cat Bordhi defines for creating tentacles on her Jester Tentacles Bag (Ravelry link) in her book A Second Treasury of Magical Knitting I just turned the first leg inside out and freed the low end of rust. I caught loops from both the rust and snowflake yarn on dpns while unraveling one row from the loosened end.  Then I split spliced (a.k.a. spit spliced) a ball of snowflake onto the loose end.  I knit more rows in snowflake since I had variable amounts of that color on the feet of all the other legs and all of them were much more than a single row.  Besides the first leg initially having significantly less snowflake color, I decided to add on a few more rows of knitting to the height of the leg, but had already completed two rounds of loop knitting at the top of the leg.  Adding height with the snowflake color at the foot/leg junction was the ideal solution.  Somehow I managed to add the first leg while having the foot point the opposite direction.  Since the legs have no shaping, this shouldn't matter.

What makes knitting so completely superior to crochet?
The ability to work multiple items at the same time on the same needles is the best reason I can give.  I'd started each of the feet individually and then worked them up to equal points and put them all on two circular needles.  The same method that Cat Bordhi introduces in Socks Soar on Circular Needles can be used to knit a single cylindrical type item in the round, but you also can continue to add extra work (I only do copies of the same item and line them up in the same place to avoid confusion) as long as you have a free end of yarn to knit with.

For socks, I wind up about half a hank of yarn into a center pull ball, then take if off the ball winder and set it into the middle of the box of my Tilta Swift.  I'll take the remainder of the hank off, turn it inside out so the inside end is on the outside, then using that end wind up a second center pull ball leaving the yarn that connects the two uncut.  I usually drop these siamese twins into a small yarn sack and work from each end at the same time.  It can be a bit funky casting on for two at a time.  I really can't explain just how I do it myself even.  Sometimes are clunkier than others. But with this method I can be assured that my socks really are twins.  There are times (might not happen now) when I've had to make a decision about something and not been certain of exactly how I interpreted an instruction or improvised to be able to do the same thing again in a second sock.  Finally, I really don't have the correct personality for doing the same thing two or four different times if I can make two or four versions at the same time.  The only trick then, and you learn it fairly fast, is to make sure you are using the correct yarn end for each sock or item.  Each one needs it's own end of yarn.  This is a trick I use when I'm not sure I'm going to have enough yarn, like in the llama feet, but I want to use up as much as I can of the first color or want to be certain that the second color will start in exactly the same place on multiple items.  (The llama legs don't start with a different color in the same place because I decided synchronized color changes was not a requirement for this project.)

With socks you will need to work one heel at a time at the part of the pattern where your rounds turn into rows.  It's such a short amount of the whole that even I can manage it.  The only other difficulty is when you are working patterns with decreases.  The order for your work is to knit side A of sock 1 then side A of sock 2 then side B of sock 2 and side B of sock 1.  You may find that you need to k2tog with one stitch on one circular needle and one on the other AND there is no way to reach it yet.  If it's on the right end in the right direction (will usually be the second sock or the one that's on your left at the start of each new round) you just slip the stitch from one needle to the other.  But if it's the last stitch on the first needle for the first sock you won't get to the second k2tog stitch until you've completed the second half of the second sock.  But this is easy to work around by slipping the first k2tog stitch off onto a removable marker or suitable safety pin and then sliding the marker onto the second needle where the second stitch for the k2tog lives.

Currently I am using 3 balls of yarn to knit the four legs.  This is also where my Fiberspheres are shining. I am using the outside end and inside end of one ball at the same time in the large Fibersphere.  And two small Fiberspheres are unfolded and then snapped together (like a figure 8) to hold each of the other two balls separately.  I'm hoping for no big tangling problems and haven't had any so far.  I'm trying to be very consistent about turning my work first one way and then the other (clockwise/counterclockwise) so that I'm not winding up the yarn strands for each half round.  I'm winding and then immediately unwinding by turning in the opposite direction.  (In retrospect, I found that the single ball of yarn strands twisted anyway, but with no tension on them they didn't actually tangle.  I could easily push back the strand I wasn't using even though it spiraled around the other strand.)

I realize this would be better with more pictures to tell the story, but really, I'm not feeling up to illustrating all of it with examples.  And there's probably information about this in other places that truly are more like resources anyway.  I always look to Techknitter first when I have any question or challenge.  She is amazing.  Maybe later I'll mention how I kitchener stitched the first leg back together using her knitting needle (not tapestry needle) method.  Or I'll just link it now because I'm feeling lazy - no efficient.  Efficiency rules.

Praise for a great pattern

Must take a moment to do some bragging about Paola's greatness, especially with regard to communication and excellence in pattern writing and publishing.  I've emailed her twice to ask questions about patterns, once before and once after buying my patterns and both times she has responded to me kindly and especially quickly, within a few hours, I think.  I ordered my patterns on Christmas day and they were in my inbox within just a few hours. Accounting for the holiday I would not have been surprised if they'd been delayed a day or two; if I have a holiday it seems like everyone should!  I am very impressed by the clarity of the instructions, the abundance of project photos in progress and at different angles, and also the ease with which it is all conveyed.  The pdf may be 15 or 20 pages, but I feel the photos tell me a lot that words don't and at times they reveal details about placement and shaping and other concerns that are easily overlooked in other designers' patterns.  I don't think I'm explaining well.

Holy cow!  I just discovered that in the pattern I'm working there's a link to a video tutorial demonstrating how to make the loop stitch AND I think she is using a more movement economical way of rewrapping the yarn in the opposite direction.  Otherwise, it was easy enough to learn this stitch just following along with the photo tutorial in the pattern.

BTW, I have memorized the lyrics to the Llama llama duck song.  It amuses me for reasons I can't or shouldn't explain.  If I understand correctly, the "Not a llama" image displays an alpaca, which looks a lot like a llama, but doesn't have the llama's banana ears.  (You can see what I mean in the next post.  Wasn't planning on it, but occasionally my thoughts fall into linear arrangements.)  That's my conclusion because I've been browsing so very many llama photo rich websites to observe colors and patterns and plan future llama llama projects.  At some point I read that the ears were a major distinguishing feature.

Llama llama in progress

I've completed maybe half the work on my Coquena the Llama llama project having bought llama yarn in two colors and then buying more from additional online retailers after running out. Actually they all tended to have little stock in the colors I wanted.

Now they have nearly all arrived (except for a single hank of Mirasol Miski in Snowdrop #100 that Webs owes me). Miraculously, they all have matching dye lots across all sources - so far anyway.

Referring to the last image: the white starts after I used an entire skein of brown (Mississippi), coffee mug is just for size reference.  And the images show a much earlier than current stage of completion.

I'm calling my first llama llama French Silk since the yarn used (Mirasol Miski in Mississippi and Snowdrop and Elsebeth Lavold Baby Llama in Dark Brown) remind me of the chocolate on chocolate pie with the same name.

Ran into a bit of a snag missing or forgetting part of the instructions to make my coat loop stitches about 2" long.  Noticed it by the time I'd gotten to the tops of the legs where the directive is repeated to make 2" long stitches and emailed Paola to find out why the loops on the tops of the legs where 2".  She very kindly explained that they should be the same length as on the body and that the body instructions call for the same size loop.  I'm so glad I asked!  I'm going to redo the top of the one leg that had loops so far and make them match the loop size I used on the body.  French Silk has been more recently sheared than Coquena, that's all.

Was going to hold off posting until I got a few better pics representing current state of progress.  But that's going to make an even BIGGER, more tiring post by the time I'd get around to finishing it, so I've changed my mind (well, obviously!).


This would make more sense if I hadn't deleted references to struggling with trying to match the eye highlights and reworking over and over.  On my next try, which could be the 7th or 11th I'm going to use a single strand, although the right one I'm trying to match was done in a double strand.  Seems that with a single strand and maybe twice as many passes I'll have more control over how it turns out.  You can see what I mean about the longer leg loops anyway.

Llama, llama, duck

I'm off to find llama yarn so I can make not just Coquena the llama, but Coquena the llama llama. 


"...fuzzy llama
funny llama
llama llama 

duck..."

Again, it's all Rebecca Danger's fault and it started with alpaca alpacas. I'll be knitting another one since my good friend, Amy, sent me some great alpaca colored alpaca yarn.  Soon I'll need to find bison yarn for Delicious Crochet's American Bison pattern. Somehow in a drowsy state I came across the Llama song. Well, I was looking for llama photos to try and decide on colors.


"...llama
llama llama
mushroom
llama
llama llama
duck..."


 it's more than a song, it's a flash video, and apparently will go on forever until I close that tab.


"...half a llama
twice the llama
not a llama
farmer
llama
llama in a car
alarm a llama
llama
duck..."

It's quirky, it's catchy, it's completely illustrated and captioned - check it out! the Llama song

Not that I could (or would want to) illustrate the whole song, but I do have a great duck pattern already: Duggie Duck, by Carola van Groen, creator of the Mr. and Mrs. Santa Claus pattern.

I'm too sleepy to be anything but silly, so listening to this song suits me fine right now.

Merry Christmas, if it's not yet the next day.